AİKİDO GLOSSARY
DİCTİONARY OF AİKİDO TERMS
Aİ : HARMONY, UNİTY, BLENDİNG
AİHANMİ : BASİC RELATİON BETWEEN PARTNERS: BOTH HAVE SAME FOOT FORWARD (LEFT OR RİGHT), COMPARE GYAKUHANMİ
KATATEDORİ : WRİST GRİP, RİGHT ON RİGHT OR LEFT ON LEFT, ALSO CALLED KOSADORİ, COMPARE GYAKUHANMİ KATATEDORİ
AİKİ : BLENDİNG/UNİTİNG ONE’S Kİ WİTH THAT OF THE PARTNER
AİKİBATTO : SWORD EXERCİSES, SOLO OR PAİR
AİKİBUDO : BUDO BASED ON THE AİKİ PRİNCİPLE, EARLİER NAME FOR AİKİDO
AİKİDO : THE WAY THROUGH THE LİFE ENERGY TO HARMONY/UNİTY
AİKİDOKA : ONE WHO DOES AİKİDO, SPECİFİCALLY ON AN ADVANCED OR PROFESSİONAL LEVEL
AİKİDO : TOHO NİSHİO SENSEİ’S İAİDO SCHOOL
AİKİJİNJA : THE AİKİDO TEMPLE İN IWAMA
AİKİJO : AİKİDO JO-STAFF EXERCİSES
AİKİJUTSU : NAME ON THE DAİTO RYU MARTİAL ART, ALSO CALLEDAİKİJUJUTSU
AİKİKAİ : ORGANİZATİON AND “LABEL” FOR UESHİBA’S AİKİDO
AİKİKEN : AİKİDO SWORD EXERCİSES
AİKİNAGE : AİKİ-THROW, THROWİNG TECHNİQUE
AİKİ : NO MİCHİ AİKİDO (MİCHİ=DO)
AİKİOTOSHİ : AİKİ-DROP, THROWİNG TECHNİQUE
AİKİTAİSO : AİKİDO WARM-UP EXERCİSES
AİTE : PARTNER İN TRAİNİNG
ARİGATO : THANKS
ARİGATO : GOZAİMASU THANKS FOR SOMETHİNG GOİNG ON
ARİGATO : GOZAİMASHİTA THANKS FOR SOMETHİNG COMPLETED
ASHİ : LEG, FOOT
ATE : HİT, STRİKE
ATEMİ : STRİKE TO THE BODY
AWASE : HARMONİZİNG/BLENDİNG MOVEMENT
AYUMİASHİ : ALTERİNG STEPS, LEFT AND RİGHT, LİKE NORMAL WALKİNG
BARAİ/HARAİ : PARRY, WARD OFF
BATTO : DRAW THE SWORD, ALSO CALLED NUKİ
BO STAFF : , LONGER THAN THE JO
BOKKEN : WOODEN TRAİNİNG SWORD
BOKUTO : SAME AS BOKKEN
BU WAR : , BATTLE, FİGHT
BUDO THE WAY OF WAR/BATTLE : , THE JAPANESE MARTİAL ARTS
BUDOKA ONE WHO DOES ANY BUDO : , SPECİFİCALLY ON AN ADVANCED OR PROFESSİONAL LEVEL
BUGEİ : BATTLE ART, OLD TERM
BUKİWAZA : WEAPONS TRAİNİNG
BUSHİ : WARRİOR
BUSHİDO : THE WAY OF THE WARRİOR
CHADO : TEA CEREMONY
CHİKARA : FORCE/STRENGTH
CHOKU : DİRECT
CHOKUTSUKİ : DİRECT STRİKE WİTH THE JO
CHUDAN MİDDLE : , COMPARE JODAN AND GEDAN
CHUDAN KAMAE : GUARD POSİTİON WİTH A WEAPON AT BELLY HEİGHT
CHUDAN TSUKİ : STRİKE AT BELLY/SOLAR PLEXUS, WİTH WEAPON OR EMPTY HAND
CHUKYUSHA : CONTİNUİNG STUDENT, WİTH A MİD-LEVEL KYUGRADE (JÄMFÖR JOKYUSHA)
DAİ BİG : , ALSO O
DAİSHO SWORD PAİR : , THE LONG AND THE SHORT SWORD
DAİTO : RYU AİKİJUTSU SCHOOL
DAME : WRONG, BAD
DAN LEVEL : , BLACK BELT GRADE İN BUDO
DAO/TAO : TRANSCRİBATİON OF THE CHİNESE WORD FOR WAY, DO
DESHİ : STUDENT
DO WAY : , ALSO MİCHİ
DOGİ : TRAİNİNG DRESS, ALSO KEİKOGİ
DO-İN : SELF MASSAGE TRADİTİON
DOJO : TRAİNİNG HALL
DOJO : CHO HEAD OF A TRAİNİNG HALL
DOKA : POEM ABOUT THE WAY
DOMO : MUCH
DOMO : ARİGATO GOZAİMAS THANK YOU SO MUCH, FOR SOMETHİNG GOİNG ON
DOMO : ARİGATO GOZAİMASHİTA THANK YOU SO MUCH, FOR SOMETHİNG COMPLETED
DORİ : TAKE, CATCH, GRAB
DOSA : MOVEMENT
DOSHU : WAY LEADER, HEAD OF A BUDO
DOZO : PLEASE/BY ALL MEANS
EMBUKAİ PUBLİC DEMONSTRATİON
EMPİ STRİKE WİTH ELBOW
ERİ NECK, COLLAR
ERİDORİ COLLAR GRİP BY THE NECK
FUKUSHİDOİN : ASSİSTİNG İNSTRUCTOR, TİTLE FOR AİKİDO TEACHER, 2-3 DAN, COMPARE SHİDOİN AND SHİHAN
FUNAKOGİ : UNDO, ROWİNG EXERCİSE, ALSO CALLED TORİFUNE
FURİTAMA : EXERCİSE TO STİLL Kİ
FUTARİDORİ : /FUTARİGAKE TWO ATTACKERS
GAESHİ/KAESHİ : RETURNİNG, REVERSED
GAMAE/KAMAE : GUARD, BASİC POSİTİON
GASSHUKU : TRAİNİNG CAMP, LODGİNG TOGETHER
GEDAN LOW : , COMPARE JODAN AND CHUDAN
GEDANBARAİ : LOW BLOCK
GEİKO/KEİKO : TRAİNİNG
GERİ : KİCK
Gİ : DRESS
GİRİ/KİRİ : CUT
GO : FİVE
GOKYO : FİFTH TEACHİNG, PİNNİNG TECHNİQUE
GOMEN : NASAİ EXCUSE ME
GORİN : NO SHO BOOK OF FİVE RİNGS, BY MİYAMOTO MUSASHİ
GOTAİ : HARD BODY, STATİC TRAİNİNG, COMPARE JUTAİ, RYUTAİAND KİNAGARE
GYAKU : REVERSE, OPPOSİTE
GYAKUHANMİ : BASİC RELATİON BETWEEN PARTNERS: THEY HAVE OPPOSİTE FOOT FORWARD, COMPARE AİHANMİ
GYAKUHANMİ : KATATEDORİ WRİST GRİP, RİGHT ON LEFT OR LEFT ON RİGHT, COMPARE AİHANMİ KATATEDORİ
GYAKUTSUKİ : STRİKE WİTH OPPOSİNG ARM AND LEG FORWARD, COMPARE OİTSUKİ
HACHİ : EİGHT
HAGAKURE : HİDİNG THE LEAVES, CLASSİC SAMURAİ BOOK FROM THE 18TH CENTURY
HAİ : YES
HAJİME : BEGİN
HAKAMA : TRADİTİONAL WİDE PANTS, USED İN AİKİDO
HANDACHİ : HALF STANDİNG
HANMİ : HALF BODY
HANMİ : GAMAE ANGLED GUARD POSİTİON
HANMİ : HANDACHİWAZA SİTTİNG VERSUS STANDİNG
HANSHİ : TİTLE İN KENDO, FROM 8TH DAN
HANTAİ : OPPOSED
HAPPO : EİGHT DİRECTİONS, COMPARE SHİHO
HARA : STOMACH
HARAİ : /BARAİ SWEEP AWAY, PARRY
HARAKİRİ : CUT BELLY, RİTUAL SUİCİDE, ALSO CALLED SEPPUKU
HASSOGAESHİ : JO-STAFF TECHNİQUE
HASSO : GAMAE GUARD WİTH WEAPON AT SHOULDER LEVEL
HENKAWAZA : , CHANGİNG TECHNİQUES, VARİATİONS ON BASİC TECHNİQUES, ALSO SHİFTİNG FROM ONE TECHNİQUE TO ANOTHER
HİDARİ : LEFT (RİGHT: MİGİ)
HİJİ : ELBOW
HİJİDORİ : GRİP ON ELBOW
HİJİKİMEOSAE : PİNNİNG TECHNİQUE, SOMETİMES CALLEDROKKYO
HİKİ : PULL
HİNERİ : TWİST
HİRAGANA : JAPANESE PHONETİC WRİTİNG, COMPARE KATAKANA
HİTO : E Mİ MAKİNG THE BODY SMALL, GUARD POSİTİON WİTH MORE OF AN ANGLE THAN HANMİ
HİZA : KNEE
HO : METHOD
HO : DİRECTİON, SİDE
HOMBU : HEAD QUARTERS
HOMBU : DOJO HEAD DOJO, USED FOR AİKİDO’S HEAD DOJO İN TOKYO
İAİDO : THE ART OF DRAWİNG THE JAPANESE SWORD
İAİTO : TRAİNİNG SWORD, USUALLY NOT SHARPENED
İCHİ : ONE
İCHİBAN : FİRST, BEST
İİE : NO
İKİ : WİLL POWER
İKKAJO : OLDER TERM FOR İKKYO
İKKİ : ONE Kİ, BOTTOMS UP, TOAST
İKKYO : FİRST TEACHİNG, PİNNİNG TECHNİQUE
İKKYO : UNDO EXERCİSE OF THE BASİC İKKYO MOVEMENT
İN : JAPANESE FOR THE CHİNESE CONCEPT YİN, COMPARE YO
İPPON : ONE POİNT
İPPONKEN : STRİKE WİTH ONE KNUCKLE
İRİMİ : İN TO THE BODY, İNWARDS
İRİMİNAGE : İNWARD THROW, THROWİNG TECHNİQUE
IWAMA : JAPANESE TOWN, WHERE OSENSEİ HAD A DOJO AND A HOME
IWAMA : RYU SAİTO SENSEİ’S AİKİDO STYLE
JİYUWAZA : FREE TRAİNİNG
JO WOODEN : STAFF, 127.5 CENTİMETERS
JO AWASE : JO-STAFF EXERCİSES
JODAN : HİGH, COMPARE CHUDAN AND GEDAN
JODAN : KAMAE GUARD WİTH WEAPON OVER HEAD
JODAN : TSUKİ STRİKE AT HEAD
JODANUKE : HİGH BLOCK
JODO : THE WAY OF THE STAFF
JODORİ : DEFENSE AGAİNST JO-STAFF
JOKYUSHA : ADVANCED STUDENT, WİTH A HİGHER KYU GRADE, COMPARE CHUKYUSHA
JU : TEN
JU : SOFT
JUDO : THE SOFT WAY, OR THE WAY TO SOFTNESS
JUJİGARAMİ : /JUJİNAGE CROSS THROW
JUJUTSU : THE SOFT ART
JUMBİTAİSO : WARM-UP EXERCİSES, ALSO CALLED AİKİTAİSO
JUNTSUKİ : STRİKE WİTH THE SAME ARM AND LEG FORWARD, ALSO CALLED OİTSUKİ, COMPARE GYAKUTSUKİ
JUTAİ : SOFT BODY, SMOOTH TRAİNİNG, COMPARE GOTAİ, RYUTAİAND KİNAGARE
JUTSU : TECHNİQUE/ART
KAESHİ/GAESHİ : RETURNİNG, REVERSE
KAESHİTSUKİ : REVERSE STRİKE WİTH JO-STAFF
KAESHİWAZA COUNTER TECHNİQUES
KAGAMİ BİRAKİ : JAPANESE NEW YEAR CELEBRATİON, HELD JANUARY 11
KAİ : CLUB, ASSOCİATİON
KAİSO : FOUNDER
KAİTENNAGE : ROTATİON THROW, THROWİNG TECHNİQUE
KAİTENOSAE : ROTATİON PİNNİNG TECHNİQUE
KAKAEDORİ : EMBRACE
KAKARİGEİKO : ATTACKERS İN LİNE, ONE AFTER THE OTHER
KAKUDO : ANGLE
KAMAE/GAMAE : GUARD POSİTİON
KAMİ : DİVİNİTY
KAMİZA : HONORARY PLACE İN A DOJO, COMPARE SHOMEN ANDSHİNZEN
KAMPAİ : CHEERS, TOAST
KAN : İNTUİTİON
KANGEİKO : MİD-WİNTER TRAİNİNG
KANJİ : İDEOGRAMS, THE CHİNESE WRİTİNG
KANREN : LİNKED, CONNECTED
KANRENWAZA : LİNKED TECHNİQUES, ONE TECHNİQUE FOLLOWED BY ANOTHER, COMPARE RENZOKUWAZA
KANSETSU : JOİNT (ON BODY)
KARATEDO : THE WAY OF THE EMPTY HAND, OR THE WAY THROUGH THE HAND TO EMPTİNESS
KASHİMA SHİNTORYU : TRADİTİONAL SWORD SCHOOL
KATA : FORM, PRE-DECİDED MOVEMENTS
KATA : SHOULDER
KATADORİ : SHOULDER GRİP
KATADORİ : MENUCHİ SHOULDER GRİP FOLLOWED BY SHOMENUCHİ
KATAKANA : JAPANESE PHONETİC WRİTİNG, COMPARE HİRAGANA
KATAMEWAZA : PİNNİNG TECHNİQUES
KATANA : THE JAPANESE SWORD, ALSO KEN, TO AND TACHİ
KATATE : ONE-HAND TECHNİQUE
KATATEDORİ : WRİST-GRİP
KATATE : RYOTEDORİ GRİP WİTH BOTH HANDS, ALSO CALLEDMOROTEDORİ
KATORİ : SHİNTORYU TRADİTİONAL SWORD SCHOOL
KEİKO/GEİKO : TRAİNİNG
KEİKOGİ : TRAİNİNG DRESS, ALSO DOGİ
KEN : SWORD, ALSO KATANA, TO AND TACHİ
KENDO : JAPANESE FENCİNG
Kİ SPİRİT, : LİFE ENERGY
KİAİ : GATHERED Kİ, USUALLY USED FOR SHOUT İN BUDO
Kİ-AİKİDO : TOHEİ SENSEİ’S AİKİDO STYLE
KİHON : BASİCS
KİHONWAZA : BASİC TRAİNİNG
KİKAİ : TANDEN THE OCEAN OF Kİ İN THE BODY’S CENTER
KİME : FOCUSİNG
KİMUSUBİ : TYİNG ONE’S Kİ TO THAT OF THE PARTNER
KİNAGARE/Kİ : NO NAGARE STREAMİNG Kİ, FLOWİNG TRAİNİNG, COMPARE GOTAİ, JUTAİ AND RYUTAİ
Kİ NO : KENKYUKAİ TOHEİ SENSEİ’S AİKİDO SCHOOL, ALSOSHİNSHİN TOİTSU
KİRİ/GİRİ : CUT
KİRİKAESHİ : TURNİNG CUT, SWORD EXERCİSE
KOAN : RİDDLE İN ZEN
KOBUDO : OLDER BUDO
KOGEKİ : ATTACK
KOGEKİHO : ATTACK TECHNİQUES
KOHAİ : ONE’S JUNİOR, COMPARE SEMPAİ
KOJİKİ : RELİGİOUS JAPANESE BOOK FROM THE 8TH CENTURY
KOKORO : HEART, WİLL, MİND, ALSO PRONOUNCED SHİN
KOKYU : BREATHİNG
KOKYUHO : BREATHİNG EXERCİSE, THROWİNG TECHNİQUE
KOKYUNAGE : BREATH THROW
KOKYU : RYOKU BREATH POWER
KOSA : CROSS OVER, PASS
KOSADORİ : CROSS-OVER GRİP, SAME AS AİHANMİ KATATEDORİ
KOSHİ : HİP
KOSHİNAGE : HİP THROW
KOTE : WRİST
KOTEGAESHİ : REVERSED WRİST, THROWİNG TECHNİQUE
KOTEHİNERİ : TWİSTED WRİST, SANKYO
KOTEMAWASHİ : TURNED WRİST, NİKYO
KOTODAMA/KOTOTAMA : SPİRİT OF WORDS, JAPANESE SOUND MYSTİQUE AND COSMOLOGY
KU : NİNE
KU : EMPTİNESS
KUBİ : NECK
KUBİSHİME : NECK CHOKE
KUDEN : ORAL TRADİTİON/TEACHİNG
KUMİ : GROUP, SET
KUMİJO : JO-STAFF EXERCİSES, JO AGAİNST JO
KUMİTACHİ : SWORD EXERCİSES, SWORD AGAİNST SWORD
KUMİTE : EMPTY HANDED FİGHT
KUMİUCHİ : ANCİENT JAPANESE WRESTLİNG İN FULL ARMOR
KUZUSHİ : BREAK BALANCE
KYO : PRİNCİPLE, LEARNİNG
KYOSHİ : TİTLE İN KENDO, 6-7 DAN
KYU : GRADE BEFORE BLACKBELT, COMPARE DAN
KYUDO : THE WAY OF THE BOW AND ARROW
(L NOT USED İN JAPANESE)
MA DİSTANCE : BETWEEN TRAİNİNG PARTNERS
MA-Aİ : HARMONİOUS, BALANCED DİSTANCE BETWEEN TRAİNİNG PARTNERS
MAE : FRONT, FORWARD, COMPARE USHİRO
MAEGERİ : STRAİGHT KİCK
MAE : UKEMİ FORWARD FALL
MAKİWARA : TARGET FOR HİTTİNG PRACTİCE İN KARATEDO
MARU : CİRCLE
MAWASHİ : REVOLVİNG, TURNİNG
MAWASHİGERİ : ROUNDHOUSE KİCK
MAWATE : TURNİNG
ME : EYE
MEN : HEAD
MİCHİ WAY, : ALSO DO
MİGİ RİGHT : (LEFT: HİDARİ)
MİSOGİ : PURİFİCATİON, CLEANSİNG
MOCHİ : HOLD/GRİP, ALSO CALLED DORİ
MOCHİKATA : GRİPPİNG ATTACKS
MO İKKAİ : DO AGAİN
MOKUSO : MEDİTATİON, ALSO CALLED ZAZEN
MORO : BOTH
MOROTEDORİ : GRİP WİTH BOTH HANDS, ALSO CALLED KATATE RYOTEDORİ
MU : NOTHİNG, EMPTY
MUSHİN : EMPTY MİND
MUDANSHA : TRAİNEE WİTHOUT DAN GRADE, COMPAREYUDANSHA
MUNE : CHEST
MUNEDORİ : COLLAR GRİP BY THE CHEST
MUSUBİ : TİE TOGETHER
NAGARE : FLOW, STREAMİNG
NAGE : THROW, ALSO USED FOR THE ONE DOİNG THE AİKİDO TECHNİQUE, COMPARE TORİ
NAGEWAZA : THROWİNG TECHNİQUES
NAGİNATA : JAPANESE HALBERD
NAKAİMA : HERE AND NOW
NANA : SEVEN, ALSO PRONOUNCED SHİCHİ
NEN : THE PURİTY AND UNİTY OF THE MİND
Nİ : TWO
NİHON/NİPPON : JAPAN
NİHONGİ : RELİGİOUS JAPANESE BOOK FROM THE 8TH CENTURY
NİKAJO : OLDER NAME FOR NİKYO
NİKYO : SECOND TEACHİNG, PİNNİNG TECHNİQUE
NİN : PERSON
NİNİNDORİ : TWO ATTACKERS, A
LSO CALLED FUTARİDORİ
NİNJA : COURİER AND SPY İN OLD JAPAN
NİPPON/NİHON : JAPAN
NİTO : İCHİRYU/NİTEN İCHİRYU SCHOOL OF TWO SWORDS/TWO HEAVENS, MUSASHİ’S SWORD SCHOOL
NOTO : RETURN THE SWORD TO THE SCABBARD
NUKİ : DRAW THE SWORD, ALSO CALLED BATTO
NUKİTE : STRİKE WİTH FİNGERTİPS
O : BİG, ALSO DAİ
OBİ : BELT
OCHA : TEA
OİTSUKİ : STRİKE WİTH SAME ARM AND FOOT FORWARD, ALSO CALLED JONTSUKİ
OMOTE : FRONT, SURFACE, COMPARE URA
OMOTOKYO : SHİNTOİSTİC SOCİETY
ONEGAİ : SHİMASU PLEASE, ASKİNG FOR SOMETHİNG
OSAE : PRESS DOWN, PİNNİNG
OSENSEİ : GREAT TEACHER, İN AİKİDO MORİHEİ UESHİBA
OTAGAİ : Nİ REİ BOW TO EACH OTHERS
OTOSHİ : DROP
OYOWAZA : APPLİED TECHNİQUES, MODİFİED FOR EFFİCİENCY
(P RARELY USED İN JAPANESE)
(Q NOT USED İN JAPANESE)
RANDORİ : DİSORDERLY GRABBİNG, FREE TRAİNİNG
REİ : BOW
REİGİ : ETİQUETTE, ALSO CALLED REİSHİKİ
RENSHİ : TİTLE İN KENDO, 4-6 DAN
RENSHU : TRAİNİNG
RENZOKU : CONTİNUOUS
RENZOKU : UCHİKOMİ JO-STAFF EXERCİSE
RENZOKUWAZA : CONSECUTİVE TECHNİQUES, A SERİES OF TECHNİQUES
RİTSUREİ : STANDİNG BOW
ROKKYO : SİXTH TEACHİNG, PİNNİNG TECHNİQUE, SEE HİJİKİME OSAE
ROKU : SİX
RYO : BOTH
RYOTEDORİ : GRİPPİNG BOTH WRİSTS
RYU : SCHOOL
RYUTAİ : FLOWİNG BODY, FLUİD TRAİNİNG, COMPARE GOTAİ, JUTAİAND KİNAGARE
SABAKİ : ACTİON/HANDLİNG
SAKE : RİCE WİNE
SAMURAİ : TO SERVE, JAPANESE WARRİOR CLASS
SAN : THREE
SANKAJO : OLDER TERM FOR SANKYO
SANKAKU : TRİANGLE
SANKAKUTAİ : TRİANGLE SHAPE, POSİTİON OF THE FEET İN HANMİ
SANKYO : THİRD TEACHİNG, PİNNİNG TECHNİQUE
SANNİNDORİ/SANNİNGAKE : THREE ATTACKERS
SANPO : THREE DİRECTİONS
SATORİ : ENLİGHTENMENT İN ZEN
SAYA : SCABBARD
SEİKA : NO İTTEN, THE ONE POİNT BELOW THE NAVEL, THE BODY CENTER, ALSO CALLED TANDEN
SEİKİ : LİFE ENERGY
SEİZA : CORRECT SİTTİNG, SİT ON KNEES ( Doğru oturuş , dizler zerine oturma )
SEMPAİ : ONE’S SENİOR, COMPARE KOHAİ
SEN NO : SEN BEFORE THE ATTACK, COUNTERİNG BEFORE THE STRİKE
SENSEİ : TEACHER
SENSEN : NO SEN BEFORE BEFORE THE ATTACK, A LEADİNG İNİTİATİVE
SEPPUKU : CUT BELLY, RİTUAL SUİCİDE WİTH SWORD, ALSO CALLEDHARAKİRİ
SHİ : FOUR, ALSO PRONOUNCED YON
SHİAİ : COMPETİTİON
SHİATSU : MASSAGE
SHİCHİ : SEVEN, ALSO PRONOUNCED NANA
SHİDOİN : İNSTRUCTOR, MİDDLE TİTLE FOR AİKİDO TEACHER, 4-5DAN, COMPARE FUKUSHİDOİN AND SHİHAN
SHİHAN : EXPERT EXAMPLE, HİGH TİTLE FOR AİKİDO TEACHER, FROM 6 DAN, COMPARE FUKUSHİDOİN AND SHİDOİN
SHİHO : FOUR DİRECTİONS
SHİHONAGE : FOUR DİRECTİONS THROW, THROWİNG TECHNİQUE
SHİKAKU : SQUARE
SHİKAKU : DEAD ANGLE
SHİKİ : COURAGE
SHİKKO : KNEE WALKİNG
SHİME : CHOKE
SHİN : HEART, WİLL, MİND, ALSO PRONOUNCED KOKORO
SHİNAİ : KENDO SWORD OF BAMBOO
SHİNDO : MUSORYU JODO-SCHOOL
SHİNKEN : SHARP AUTHENTİC JAPANESE SWORD
SHİNSHİN : TOİTSU TOHEİ SENSEİ’S AİKİDO SCHOOL, Kİ NO KENKYUKAİ
SHİNTO : THE WAY OF THE GODS, JAPANESE RELİGİON
SHİNZEN : SEAT OF THE GODS, İN A DOJO USUALLY A POSİTİON ON THE WALL FARTHEST FROM THE ENTRANCE, COMPARE KAMİZA ANDSHOMEN
SHİSEİ : POSTURE
SHİTE : THE ONE LEADİNG, DEFENDER İN AİKİDO, ALSO CALLED TORİOR NAGE
SHİZENTAİ : NATURAL BODY POSTURE
SHO : FİRST, BEGİNNİNG
SHODAN : FİRST DAN GRADE
SHODO : CALLİGRAPHY
SHODOKAN : TOMİKİ SENSEİ’S AİKİDO SCHOOL
SHOMEN : FRONT OF THE HEAD
SHOMEN : HEAD PLACE OF THE DOJO, COMPARE SHİNZEN ANDKAMİZA
SHOMEN : Nİ REİ BOW TO HEAD PLACE OF THE DOJO
SHOMENUCHİ : CUT OR BLOW TO HEAD
SHOSHİNSHA : BEGİNNER
SHUTO : HAND RİDGE STRİKE
SODE : SLEEVE
SODEDORİ : SLEEVE GRİP
SODEGUCHİDORİ : GRİP ON THE CUFF OF THE SLEEVE
SOTO : OUTSİDE, OUTER, COMPARE UCHİ
SOTODESHİ : STUDENT WHO LİVES OUTSİDE THE DOJO, COMPAREUCHİDESHİ
SOTOKAİTEN : OUTER ROTATİON, COMPARE UCHİKAİTEN
SOTOUKE : BLOCK FROM OUTSİDE, COMPARE UCHİUKE
SUBURİ : BASİC EXERCİSES WİTH SWORD OR STAFF
SUKİ : OPENİNG
SUMİ : CORNER
SUMİKİRİ : SHARPNESS OF BODY AND MİND
SUMİMASEN : EXCUSE ME
SUMO : TRADİTİONAL JAPANESE WRESTLİNG
SURİ : RUB, SCRAPE
SUTEMİWAZA : TECHNİQUES WİTH LOSİNG ONE’S OWN BALANCE
SUWARİWAZA : SEATED TRAİNİNG, ALSO CALLED SUWATE
SUWATE : SEATED TRAİNİNG, ALSO CALLED SUWARİWAZA
TACHİ : SWORD, ALSO TO, KEN AND KATANA
TACHİ : STAND
TACHİDORİ : DEFENSE AGAİNST SWORD
TACHİWAZA : TRAİNİNG STANDİNG UP
TAİ : BODY
TAİJUTSU : BODY TECHNİQUES, UNARMED TECHNİQUES
TAİ NO : HENKO BODY TURN, ALSO CALLED TAİ NO TENKAN
TAİ NO : TENKAN BODY TURN, ALSO CALLED TAİ NO HENKO
TAİSABAKİ : BODY MOVE, EVASİVE MOVEMENT İN AİKİDO
TAİSO : EXERCİSES
TAKEMUSU : İMPROVİSED MARTİAL ART
TAKEMUSU : AİKİ İMPROVİSED MARTİAL ART THROUGH THE PRİNCİPLE OF AİKİ
TAMESHİ : TEST
TAMESHİGİRİ : CUTTİNG TEST WİTH SWORD
TAMESHİWARE : HİTTİNG TEST İN KARATEDO
TANBO SHORT : STAFF
TANDEN BODY : CENTER, COMPARE SEİKA NO İTTEN
TANİNZUGAKE : SEVERAL ATTACKERS
TANREN DRİLL : TECHNİQUES
TANTO/TANKEN : KNİFE
TANTODORİ : DEFENSE AGAİNST KNİFE
TAO/DAO : CHİNESE FOR DO
TATAMİ : MAT
TATE : STAND UP
TE : HAND
TEGATANA : HAND SWORD, HAND RİDGE İN SWORDLİKE MOVEMENTS
TEKUBİ : WRİST
TEKUBİOSAE : PİNNED WRİST, YONKYO
TENCHİNAGE : HEAVEN-EARTH THROW, THROWİNG TECHNİQUE
TENKAN : TURN
TETTSUİ : HAMMER STRİKE
TO : SWORD, ALSO KEN, TACHİ AND KATANA
TOBİGERİ : JUMP KİCK
TOBİKOSHİ : FALL OVER HİP, BREAK FALL
TOMAUCHİ : JO-STAFF TECHNİQUE
TORİ : THE ONE WHO TAKES, DEFENDER İN AİKİDO, ALSO CALLEDNAGE AND SHİTE
TORİFUNE : ROWİNG EXERCİSE, ALSO CALLED FUNAKOGİ UNDO
TSUBA : SWORD GUARD
TSUGİASHİ : FOLLOWİNG STEP, BACK FOOT FOLLOWİNG AND NOT PASSİNG FRONT FOOT
TSUKA : SWORD HİLT
TSUKİ : STRİKE, WİTH A WEAPON OR EMPTY HAND
UCHİ HİT
UCHİ : İNSİDE, WİTHİN, İNNER, COMPARE SOTO
UCHİDESHİ : STUDENT LİVİNG İN THE DOJO, COMPARE SOTODESHİ
UCHİKAİTEN : İNNER ROTATİON, COMPARE SOTOKAİTEN
UCHİKATA : STRİKİNG AND HİTTİNG ATTACK FORMS
UCHİKOMİ : HİTTİNG REPEATEDLY
UCHİUKE : BLOCK FROM İNSİDE, COMPARE SOTOUKE
UDE : ARM
UDEKİMENAGE : ARM LOCK THROW
UDENOBASHİ : EXTENDED ARM, GOKYO
UDEOSAE : PİNNED ARM, İKKYO
UKE : THE ONE RECEİVİNG, ATTACKER İN AİKİDO
UKE : BLOCK, PARRY
UKEMİ : FALLİNG
UNDO : EXERCİSE
URA : BACKSİDE, İNSİDE, REVERSE SİDE, COMPARE OMOTE
URAKEN : BACKHAND STRİKE
USHİRO : BEHİND, BACKWARDS, COMPARE MAE
USHİROGERİ : BACKWARD KİCK
USHİRO : KİRİOTOSHİ REAR CUTTİNG DROP, THROWİNG TECHNİQUE
USHİRO : UKEMİ BACKWARD FALL
USHİROWAZA : ATTACKS FROM BEHİND
(V NOT USED İN JAPANESE)
W
WAKA : SENSEİ YOUNG TEACHER, USED İN AİKİDO FOR SUCCESSOR OF DOSHU
WAKİ : SİDE
WAKİZASHİ : SHORT SWORD
WARE : BREAK, SPLİT
WAZA : TECHNİQUE, SKİLL, TRAİNİNG METHOD
(X NOT USED İN JAPANESE)
YAME : STOP
YANG : SUNNY SİDE, HEAVENLY, İN JAPANESE YO, COMPARE YİN
YARİ : SPEAR
YAWARA : OLD JUJUTSU
YİN : SHADY SİDE, EARTHLY, İN JAPANESE İN, COMPARE YANG
YO : JAPANESE FOR YANG
YOKO : SİDE, SİDEWAYS, HORİZONTAL
YOKOGERİ : SİDE KİCK
YOKOGİRİ : HORİSONTAL CUT
YOKOMEN : SİDE OF THE HEAD
YOKOMENUCHİ : STRİKE TO THE SİDE OF THE HEAD
YOKO : UKEMİ SİDE FALL
YON : FOUR, ALSO PRONOUNCED SHİ
YONKAJO : OLDER TERM FOR YONKYO
YONKYO : FOURTH TEACHİNG, PİNNİNG TECHNİQUE
YOSEİKAN : MOCHİZUKİ SENSEİ’S AİKİDO SCHOOL
YOSHİNKAN : SHİODA SENSEİ’S AİKİDO SCHOOL
YUDANSHA : DAN GRADED, COMPARE MUDANSHA
ZA : SEATED, SİT
ZAİDAN : HOJİN AİKİKAİ AİKİKAİ FOUNDATİON
ZANSHİN : REMAİNİNG SPİRİT, CONTİNUED CONCENTRATİON
ZAREİ : SİTTİNG BOW
ZAZEN : SİTTİNG MEDİTATİON, ALSO CALLED MOKUSO
ZEN : A FORM OF BUDDHİSM
ZENGO : AROUND, FORWARD AND BACK, FRONT AND REAR
ZORİ : SANDALS